Sunday, 19 October 2014
Reshoot.
Shoot 3
Shoot 2
Whilst some of the photographs are blurry, this was to be expected in low light and I am relatively pleased with the photographs I got out of the shoot.
Tuesday, 14 October 2014
Shoot One
Admittedly I am not overly pleased with the photographs that I did capture this time. I was working in low light - depsite it being the middle of the day - and without a tripod or a flash my camera struggled with exposures. On top of this I was working on some cramped conditions so my balance was not as good making some of the pictures more blurry.
Friday, 10 October 2014
Photo ideas
I have started to imagine what some of my photographs will look like when I shoot portraits of the family.
I have began with my uncle Gordons quarter of the family as so far they have had the most input.
While my artistic skills are not the strongest I think the sketches just about show what I am aiming to achieve in the photographs.
Some of the photos will indirectly include my grandma, others are more recent recreations of photographs my grandma had of them and some are just images I think will fit the project well.
Old photos
In order to start this project properly I have been to visit my aunt and uncles to collect photographs they have of my Grandma as well as photographs they've kept of hers. This has left me with a huge pile of photographs to sort through.
In order to move forward with the collection of images I have, I am going to split them in to smaller groups of photos. These will be photos of my Gran by herself, my Gran with the family, her photographs of us and ideas to recreate.
On top of the photographs, I have also been given some of the keepsakes that the family have. For example my uncle Gordons exam results from school. As a family orientated lady my Gran kept everything that meant something to her and I believe it is important to try and include this too.
When back in Cheltenham I am going to start scanning the photographs and other momentos. By doing this I will be able to figure out which are the best selection to include.
Wednesday, 24 September 2014
Simon Norfolk - Data Centres
Data Centres
Many of the images are high in contrast, shot in colour they are vibrant colours. Bold to the eye and the patterns included in the frame are regimented and solid. The patterns are not always organised, the photograph of the white pipes on the ceiling is actually quite free flowing despite them being fixed in to place. Some photographs contain a lot of repetition, rows upon rows of cables tied together above and below each other. The clinical environment makes me think how precise everything must be in the technology centres to ensure it is not only safe to work in and around but also to be able to navigate and understand.
If shot from above, including the whole factory in the frame, it could perhaps look like a small town. The large scale of the data centres makes them appear overwhelming, potentially towering over any body stood close to them. They are not shot like this though, shot on large format the scale is direct instead.
Some of the photographs I think look like those of William Eccleston, shooting a small detail and using strong colours. The detail held within the photographs, and the style in which they are shot also reminds me of some work by Gursky. Very regimented and solid.
I like the work by Norfolk. I think it is a valid representation of our current society. We all rely on technology too much in everyday life.
The photographs themselves do not offer much information as to how the data is stored, for many the images are bland and boring as they are understood as factory photos. They could be anything. Perhaps they are nothing, for what they contain does not actually exist.